Luka and the Fire of Life, Salman Rushdie, ISBN 9780224061629
Luka and the Fire of Life (hardbound)

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by: Salman Rushdie
Publisher:Random House UK
ISBN: 9780224061629
List Price: Rs. 499.00
Our Price: Rs. 349.00
Pages: 224
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On a beautiful starry night in the city of Kahani in the land of Alifbay a terrible thing happened: twelve-year-old Luka s storyteller father, Rashid, fell suddenly and inexplicably into a sleep so deep that nothing and no one could rouse him. To save him from slipping away entirely, Luka must embark on a journey through the Magic World, encountering a slew of phantasmagorical obstacles along the way, to steal the Fire of Life, a seemingly impossible and exceedingly dangerous task.
With Haroun and the Sea of Stories Salman Rushdie proved that he is one of the best contemporary writers of fables, and it proved to be one of his most popular books with readers of all ages. While Haroun was written as a gift for his first son, Luka and the Fire of Life, the story of Haroun s younger brother, is a gift for his second son on his twelfth birthday. Lyrical, rich with word-play, and with the narrative tension of the classic quest stories, this is Salman Rushdie at his very best.

Media Reviews of Luka and the Fire of Life
Luka and the Fire Of Life, By Salman Rushdie
Reviewed by Frank Cottrell Boyce

Luka is the sequel to Haroun and the Sea of Stories, a book that told the tale of a storyteller – Rashid – who has lost contact with the "Sea of Stories". Rashid's son Haroun literally reconnects his father to his source of inspiration. This would have been a moving story at any time, but for Rushdie to have produced such a joyous defence of free speech in the context of the fatwa was heroic and inspiring. Haroun is not just one of Rushdie's best books; it's one of the best books ever.

Luka is Haroun's younger brother, an enthusiastic gamer who crosses over from reality into the magic world of the Sea of Stories, where he encounters a ghostly version of his own father. Luka realises that this World is a vast multi-level computer game. He realises too that the ghost-father is an avatar of his real father and that the more life the avatar gains, the more lifeless his real father becomes.

A story that works like a game is a great idea. It certainly works in Lewis Carroll's Through the Looking Glass. It doesn't work here. Rushdie doesn't embrace any of the real pleasures of computer games – the frustration of being sent back to the beginning, the moment of revelation when you reach a new level.

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